Literatura / Luterature
Google Scholar

Anderson C.W. Practice, Interpretation, and Meaning in Today’s Digital Media Ecosystem, „Journalism & Mass Communication Quarterly” 2020, t. 97, nr 2.
Google Scholar

Ashman Rachel, Anthony Patterson, Stephen Brown, ‘Don’t Forget to Like, Share and Subscribe’. Digital Autopreneurs in a Neoliberal World, „Journal of Business Research” 2018, t. 92.
Google Scholar

Bareither Christoph, Difficult Heritage and Digital Media. ‘Selfie Culture’ and Emotional Practices at the Memorial to the Murdered Jews of Europe, „International Journal of Heritage Studies” 2021, t. 27, nr 1.
Google Scholar

Bishop Sophie, Managing Visibility on YouTube through Algorithmic Gossip, „New Media & Society” 2019, t. 21 nr 11/12.
Google Scholar

Burgess Jean, Remediating Vernacular Creativity. Photography and Cultural Citizenship in the Flickr Photo-sharing Network [w:] Spaces of Vernacular Creativity. Rethinking the Cultural Economy, red. Tim Edensor i in. London, New York: Routledge, 2010.
Google Scholar

Cayari Christopher, The YouTube Effect. How YouTube Has Provided New Ways to Consume, Create, and Share Music, „International Journal of Education & the Arts” 2011, t. 12, nr 6, s. 1–30.
Google Scholar

Citton Yves, The Ecology of Attention, Oxford: Polity, 2016.
Google Scholar

Dalziel Imogen, Becoming the ‘Holocaust Police’? The Auschwitz-Birkenau State Museum’s Authority on Social Media [w:] Digital Holocaust Memory, Education and Research, red. Victoria Grace Walden. London: Palgrave MacMillan, 2021.
Google Scholar

De Groot Jerome, Consuming History. Historians and Heritage in Contemporary Popular Culture, London: Routledge, 2016.
Google Scholar

Dubrofsky Rachel E., Frayed Edges. Selfies, Auschwitz, and a Blushing Emoticon, „a/b: Auto/Biography Studies” 2018, t. 33, nr 3.
Google Scholar

Duffy Brooke Erin, The Romance of Work. Gender and Aspirational Labour in the Digital Culture Industries, „International Journal of Cultural Studies” 2016, t. 19, nr 4.
Google Scholar

Ebbrecht-Hartmann Tobias, Lital Henig, i-Memory. Selfies and Self-Witnessing in #Uploading_Holocaust (2016) [w:] Digital Holocaust Memory, Education and Research, red. Victoria Grace Walden, London: Palgrave MacMillan, 2021.
Google Scholar

Eichhorn Kate, The End of Forgetting. Growing up with Social Media, Cambridge, MA: Harvard University Press, 2019.
Google Scholar

Gallardo Kristine L., Taming the Internet Pitchfork Mob. Online Public Shaming, the Viral Media Age, and the Communications Decency Act, „Vanderbilt Journal of Entertainment and Technology Law” 2017, t. 19, nr 3.
Google Scholar

Ginsberg Inge, Manfred Flügge, Die Partisanenvilla. Erinnerungen an Flucht, Geheimdienst und zahlreiche Schlager. München: Deutscher Taschenbuch Verlag, 2008.
Google Scholar

Goldberg Greg, Antisocial Media: Anxious Labor in the Digital Economy, New York: NYU Press, 2018.
Google Scholar

Kozinets Robert V., Netnografia: badania etnograficzne online, tłum. Maja Brzozowska-Brywczyńska, Warszawa: Wydawnictwo Naukowe PWN, 2012.
Google Scholar

Kozinets Robert V., Daiane Scaraboto, Marie-Agnès Parmentier, Evolving Netnography. How Brand Auto-netnography, a Netnographic Sensibility, and More-than-human Netnography Can Transform Your Research, „Journal of Marketing Management” 2018, t. 34, nr 3/4.
Google Scholar

Lewandowski Tomasz, Auschwitz – Fall of the Modern Age, Halle: Mitteldeutscher Verlag, 2019.
Google Scholar

Łysak Tomasz, Kultura popularna [w:] Reprezentacje Zagłady w kulturze polskiej (1939–2019), t. 2: Problematyka Zagłady w sztukach wizualnych i popkulturze, red. Sławomir Buryła, Dorota Krawczyńska, Jacek Leociak, Warszawa: Wydawnictwo IBL PAN, 2021.
Google Scholar

Łysak Tomasz, Vlogging Auschwitz. New Players in Holocaust Commemoration, „Holocaust Studies: A Journal of Culture and History” 2021, w przygotowaniu.
Google Scholar

Milbrandt Tara, Caught on Camera, Posted Online. Mediated Moralities, Visual Politics and the Case of Urban ‘Drought-Shaming’, „Visual Studies” 2017, t. 32, nr 1.
Google Scholar

Mirzoeff Nicholas, Jak zobaczyć świat, tłum. Łukasz Zaremba, Kraków–Warszawa: Wydawnictwo Karakter, Muzeum Sztuki Współczesnej w Warszawie, 2016.
Google Scholar

Netnography Unlimited, red. Robert V. Kozinets, Rossella Gambetti. New York: Routledge, 2020.
Google Scholar

Pomerantz Jeffrey, Metadata, Cambridge, MA: The MIT Press, 2015.
Google Scholar

Raine Michael, YouTube. Friend or Foe of the Music Industry?, „Canadian Musician” 2017, May/June https://indepth.canadianmusician.com/youtube-friend-or-foe-of-the-music-industry/.
Google Scholar

Scott Niall, Heavy Metal and the Deafening Threat of the Apolitical, „Popular Music History” 2011, t. 6, nr 1/2.
Google Scholar

Smiley Calvin John, From Silence to Propagation. Understanding the Relationship between „Stop Snitchin” and „YOLO”, „Deviant Behavior” 2015, t. 36, nr 1.
Google Scholar

Sorell Tom, Scambaiting on the Spectrum of Digilantism, „Criminal Justice Ethics” 2019, t. 38, nr 3.
Google Scholar

Srnicek Nick, Platform Capitalism. Cambridge: Polity, 2017.
Google Scholar

Van Es Karin, YouTube’s Operational Logic. „The View” as Pervasive Category, „Television & New Media” 2020, t. 21, nr 3.
Google Scholar

Walden Victoria Grace, Introduction. Defining the Digital in Digital Holocaust Memory, Education, and Research [w:] Digital Holocaust Memory, Education and Research, red. Victoria Grace Walden, London: Palgrave MacMillan, 2021.
Google Scholar

Wei Junhow, „I’m the Next American Idol”. Cooling Out, Accounts, and Perseverance at Reality Talent Show Auditions, „Symbolic Interaction” 2016, t. 39, nr 1.
Google Scholar

Williams Penny, Paula McDonald, Robyn Mayes, The Impact of Disruptive Innovation on Creative Workers. The Case of Photographers, „Creative Industries Journal” 2020, doi.org/10.1080/17510694.2020.1858707.
Google Scholar

Zuboff Shoshana, Wiek kapitalizmu inwigilacji: walka o przyszłość ludzkości na nowej granicy władzy, tłum. Alicja Unterschuetz, Poznań: Zysk i S-ka, 2020.
Google Scholar

Netografia / Netography
Google Scholar

America’s Got Talent, 6-Year-Old Aaralyn Screams Her Original Song, „Zombie Skin” – America's Got Talent, „YouTube.com”, 26 VI 2013, https://www.youtube.com/watch?v=VhQK-6iI7cI liczba wyświetleń 44 239 341.
Google Scholar

Eurovision Song Contest 2015, brak autora, „wikipedia.org”, brak daty, https://en.wikipedia.org/wiki/Eurovision_Song_Contest_2015.
Google Scholar

Eurovision Song Contest 2016, brak autora, „wikipedia.org”, brak daty, https://en.wikipedia.org/wiki/Eurovision_Song_Contest_2016.
Google Scholar

Kaze Jhony Feat Snippah, „Yolocaust” – Prod by Essem – Offizielles HD Video, „YouTube”, 20 III 2014, https://www.youtube.com/watch?v=KXZgq7QDeXY.
Google Scholar

Lewandowski Tomasz, zdj. i tekst, Auschwitz: Ultima Ratio of the Modern Age, „Lensculture.com”, brak daty, https://www.lensculture.com/articles/tomasz-lewandowski-auschwitz-ultima-ratio-of-the-modern-age.
Google Scholar

Lewandowski Tomasz, Auschwitz – Ultima Ratio of the Modern Age, „lensculture.com”, brak daty, https://www.lensculture.com/projects/522941-auschwitz-ultima-ratio-of-th.
Google Scholar

Lewandowski Tomasz, Auschwitz – Ultima Ratio of the Modern Age / 2017, „tomaszlewandowski.de”, brak daty, https://www.tomaszlewandowski.de/lewandowski/auschwitz-ultima-ratio-of-the-modern-age/.
Google Scholar

MAKJ Causes Uproar With Controversial Photo Taken at Berlin Holocaust Memorial, brak autora, „Thissongslaps.com”, 28 VIII 2014, https://www.thissongslaps.com/2014/08/makj-causes-uproar-with-controversial-photo-taken-at-berlin-holocaust-memorial/.
Google Scholar

ManhattanCamerata, 93yo Metal Grandma Holocaust Survivor Spy! „Totenköpfchen” (Laugh at Death) -Swiss Eurovision 2015, „YouTube.com”, 31 X 2014, https://www.youtube.com/watch?v=TUxOnM0daAk.
Google Scholar

ManhattanCamerata, 96yo Metal Grandma Holocaust Survivor „The Universe Echoes Back” Inge Ginsberg & the TritoneKings, „YouTube.com”, 18 VII 2018, https://www.youtube.com/watch?v=5OutYNwpbKw.
Google Scholar

Orzechowski Hubert, Yolocaust. Pomyśl, zanim zrobisz selfie, „Newsweek”, 20 I 2017, https://www.newsweek.pl/kultura/wydarzenia/yolocaust-co-to-jest-selfie-w-miejscach-pamieci-zaglady/1we1mkr.
Google Scholar

SRF Stadt Land Talent, Heavy Metal-Granny Inge Ginsberg rockt mit der Eigenkomposition Trümmer, „YouTube.com”, 20 II 2016, https://www.youtube.com/watch?v=Nr29SMyiM8M.
Google Scholar

Tritoneking, 94yo Heavy Metal Grandma Holocaust Survivor Spy! „Trümmer” The TritoneKings (Swiss Eurovision 2016), „YouTube.com”, 29 X 2015, https://www.youtube.com/watch?v=ABKIQTKzY5U.
Google Scholar

Tritoneking, Heavy metal granny Inge & the TritoneKings rocks the stage with her own song „Trümmer”, „YouTube.com”, 20 II 2016, https://www.youtube.com/watch?v=pRLvbvhQ8KU.
Google Scholar

Watemborski Marcin, Yolocaust to selfie na szczątkach ofiar holocaustu. Mocna seria zdjęć obnażająca brak szacunku dla ludzkiej tragedii, „Fotoblogia”, brak daty, https://fotoblogia.pl/10144,yolocaust-co-jest-wazniejsze-selfie-czy-szacunek-dla-ludzkiej-tragedii.
Google Scholar